Late Night Notes

I don’t have a desk in my room, only a too-low table in front of a sofa with a laptop on it. Around it is sprayed the following in a semi circle moving anti-clockwise:

A jacket given to me by a friend
A copy of Raw Notes by Claes Oldenburg
A series of installation CDs for the laptop which I had to reformat last week, losing everything on it
A note from a young theatre company in an old-fashioned air-mail envelope
The notes from a presentation I gave two weeks ago
A letter from O2
An empty bottle of red wine on its side
A digital alarm clock
My driving license
An empty can of coke
A handwritten to-do list for this week, 80% crossed out
A small blue pen of the kind I imagine they use in betting shops
5p
An empty packet of wriggley’s chewin gum
A CD of show that I have half-watched
A plate containing the crumbs of a peanut butter and banana sandwich
A copy of Arkive City, open at an article by Paul Clarke
An unopen copy of In Comes I by Mike Pearson
An old, yellowing copy of From Russia With Love, face down and splayed open at the page I last read
A padded envelope
A copy of Alex Kelly and Annie Lloyd’s The Dust Archive
A copy of Art into Theatre
A programme from a show at BAC
An A4 notepad with nothing written on it
My laptop case

If you took the laptop out of the room these items would form a perfect splatter around it, marking where it once sat – like the silhouette formed in ice cream when someone is shot in the film Bugsy Malone.

The signature on my email at the moment is a lovely quotation from Lyn Gardner from over two years ago in which she said that Forest Fringe ‘should revolutionise the fringe’

I just got an email from a friend of mine that simply said, in electric pink font:

So when are you going to stop fucking around and revolutionise the fringe then?

A good question.
I can’t stop listening to Pictures of You by The Cure. It’s addictively desolate, especially at ten past one in an otherwise silent house.

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